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Moreover, itР Р†Р вЂљРІвЂћСћs based strongly on circular forms. PoppinsР вЂќР’В¬reated by the Indian Type Foundry, Poppins is an internationalist take on a geometric sans serif, with support for the Devanagari and Latin writing systems. Additionally in December 2019, it was also updated to work as a variable font. Inspired by the geometric sans serifs of the 1920s, it has an unusual and distinctive look because the x-height is halfway from baseline to cap height. Josefin SansР вЂќР’Вesigned by Santiago Orozco, Josefin Sans is an elegant, geometric and vintage typeface that works equally well at larger sizes. Because of this it is a good choice for headlines and advertisements. The new version expands the original typeface into nine weights. Presently led by Argentinian type design foundry Impallari Type. Libre Franklin is an interpretation and expansion of the classic 1912 typeface Franklin Gothic by Morris Fuller Benton. It would be a good choice for display text because it is a five-weight family with Roman and Italic styles.

It was designed by Philipp Hubert and Sebastian Fischer for use in a RubikР Р†Р вЂљРІвЂћСћs Cube exhibition, commissioned by Google. Rubik is a sans serif font family with slightly rounded corners, stout proportions and low-stroke contrast.

It is ideal for economical typesetting because of its narrow proportions. A semi-grotesque with traditional forms, itР Р†Р вЂљРІвЂћСћs neutral, clear and somewhat lyrical.

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Arsenal is mainly intended for body text and professional visual communications. This award-winning typeface was created by Ukrainian designer Andrij Shevchenko. Its smooth curves and true italics combine to evoke a sophisticated version of an industrial look, with a friendly approachability nonetheless. A modern slab serif font based on TypothequeР Р†Р вЂљРІвЂћСћs own Tesla. Who you may know as the organisation behind the open-source web browser Firefox. Zilla SlabР вЂќР’В¬reated by Typotheque, Zilla Slab is the core typeface of Mozilla. This new version by Frank GrieР вЂњРЎСџhammer takes the idiosyncrasies Fournier was famed for and reworks them significantly for a modern age. As well as this, it is loosely based on the work of Pierre Simon Fournier, a French type-founder from the 18th century.

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One of AdobeР Р†Р вЂљРІвЂћСћs impressively long line of high-quality free typefaces, Source Serif Pro boasts simplified and highly readable letter shapes that are perfect for digital screens. With a sleek sans serif look that still looks remarkably on-trend, a decade after it was first created.

It cleverly combines classical proportions, which provide a sense of harmony and elegance.

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But, the client decided to go in different direction, so Dziedzic generously made the font available for free through Google Fonts. It was originally devised in 2010 as a set of corporate fonts. Lato (which means Р Р†Р вЂљР’ВsummerР Р†Р вЂљРІвЂћСћ in Polish) is a humanist sans-serif typeface designed by Р вЂўР С“ukasz Dziedzic. The classic typeface continues to be updated as part of the Google Fonts project and most recently, in 2017, it was redrawn by Jacques Le Bailly and Cyrillic support was added. In her words, her distinctive and evocative design encapsulated the Р Р†Р вЂљРЎС™work, dedication, care, color, contrast, light and life, day and nightР Р†Р вЂљРЎСљ that typifies the people who live there. MontserratР вЂќР вЂћrgentinian designer Julieta Ulanovsky was inspired to create the original version of this font by signage in Montserrat, the oldest neighbourhood of Buenos Aires. Consequently, itР Р†Р вЂљРІвЂћСћs a great font for instilling your body text with a natural reading rhythm. Its mechanical skeleton and largely geometric forms are balanced by friendly and open curves, and letters that settle naturally into their given width. RobotoР вЂќР’Вesigned in-house by GoogleР Р†Р вЂљРІвЂћСћs Christian Robertson, Roboto is a neo-grotesque, sans-serif typeface family with somewhat of a dual nature. Read on as we bring you 10 free Google Fonts alternatives to the most popular commercial fonts, and explain what each has to offer the cash-strapped designer. So if you canР Р†Р вЂљРІвЂћСћt afford to licence commercial fonts, itР Р†Р вЂљРІвЂћСћs a great place to find a no-cost alternative. TheyР Р†Р вЂљРІвЂћСћre all open source and available for free, forever. But the good news is, when it comes to fonts, you donР Р†Р вЂљРІвЂћСћt have to!Р вЂќР’В¬arefully curated by one the worldР Р†Р вЂљРІвЂћСћs biggest companies, Google Fonts is an oasis of high-quality digital typefaces.

Of course, you donР Р†Р вЂљРІвЂћСћt want to compromise on the quality of your work.Р вЂ™Р’В That would be the very definition of a false economy. Whether youР Р†Р вЂљРІвЂћСћre a student or a recent graduate, living on a tight budget means looking for savings wherever you can, including the assets for your creative projects.

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